AMITAV GHOSH
What pulled me into this novel were the great characters. Characters were introduced with such rapidity that I wrote a character sheet to keep them straight. Deeti is a young mother living by the Ganges some 50 miles east of Benares. She grows poppies because she must (the destruction of the rural economy is of no concern to the British), but though she is not user, her husband is an opium addict. The people are no longer aloud to grow crops to feed themselves, they must supply the British with opium to sell to the Chinese, who don’t want it. This book reminds me of all I learned in Liquid Jade about the opium trade and wars in colonial times. Historical fiction puts it in a human context. All the main characters come alive. Ghosh’s characters breath life into the story.
I also enjoyed the use of local and antiquated vocabulary. There are words and expressions from Hindi, Urdu, Hindustan and others as well as colonial and sailing vocabulary. Though it got waring by the end of the novel.
At almost 500 pages the novel was too long. It dragged in the last quarter though the very ending picked up speed. The final ending seems to lead to a sequel and isn’t diffinative which was disappointing.
But all and all worth the read. And this type of historical fiction usually isn’t my first choice.

NOTE: image not the book cover but Sea of Poppies by Louise Southan watercolor landscape (http://images.google.ca/imgres?imgurl=http://www.dreamgallery.co.uk/watercolor_e_detail/sea_of_poppies.jpg&imgrefurl=http://www.dreamgallery.co.uk/watercolor_e_amain/aimage04.htm&usg=__6bc7Hqj9dvlZEQK-yofZVwVX6lE=&h=300&w=432&sz=72&hl=en&start=7&sig2=nREF97fXnX68HDPZWom2PQ&tbnid=3PTuBbYAJUKgsM:&tbnh=88&tbnw=126&prev=/images%3Fq%3Dsea%2Bof%2Bpoppies%26gbv%3D2%26hl%3Den%26sa%3DG&ei=cEe0StqpBovUMtb7-doO





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